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Chopin fantasy in f minor op 49

Fantasy for piano in F minor/A flat major, Op. 49, C. 42

Other compositions Genres Today I finished the Fantasy - and the sky is beautiful, a sadness in my heart - but that's alright. If it were otherwise, perhaps my existence would be worth nothing to anyone.

Fantaisie in F minor (Chopin)

Let's hide until death has passed. Chopin The Fantasy in F minor, Op. Generally regarded as a masterpiece, it has received a number of brilliant pianistic interpretations e.

  • We find here moments that are very precisely formed particular themes and others of a looser character, akin to improvisation especially the figural passages;
  • The first theme is in the dark key of F minor and emerges from the lower register of the keyboard;
  • The first phase presents the 5 main themes;
  • If it were otherwise, perhaps my existence would be worth nothing to anyone.

It is a work that has fascinated successive generations of listeners, commentators and musicologists. Yet its form and artistic message are difficult to "decipher" unequivocally.

The F minor Fantasy is an expansively constructed work belonging to the sphere of such epic-dramatic genres in the Chopin oeuvre as the ballades and the scherzos.

  1. In the construction of this fascinating composition, we find elements of various forms e. The narrative of the third phase again presents a sequence of five themes.
  2. Chopin The Fantasy in F minor, Op. The first phase presents the 5 main themes.
  3. The first phase presents the 5 main themes. Here we hear a passionate re-quote of the inner chorale them, before the characteristic arpeggiated triplets of the work bring the piece to its final conclusion, a proud cadence in Ab major.
  4. Chopin The Fantasy in F minor, Op. In the interpretations of many commentators we find the conviction that Chopin's work might be an echo of improvisations on national themes as is indicated by some of the Fantasy's melodic strands.
  5. The term "fantasy" unquestionably implies some sort of freedom from artistic rules and a peculiar, Romantic expression.

Yet it occupies a distinctive, exceptional place among them. Discounting the rather trivial fantasies of the potpourri type written to operatic or other themes, such as were fashionable in Chopin's day, we immediately perceive his F minor Fantasy as a work referring to the most splendid and most ambitious traditions of the piano fantasies of Mozart and the Wanderer-Fantasie of Schubert.

From Chopin's letters, we also know that he employed the name "fantasy" to describe works that broke with the canon of unambiguously defined genres e. The term "fantasy" unquestionably implies some sort of freedom from artistic rules and a peculiar, Romantic expression.

The Fantasy in F minor was completed and published in 1841.

  • The third theme is in the key of C minor and contains quite passionate and agitated octaves;
  • Through its narrative it insistently draws the listener into an expansive musical tale;
  • Through its narrative it insistently draws the listener into an expansive musical tale.

Through its narrative it insistently draws the listener into an expansive musical tale. But can we answer the question as to what this tale is about?

  • The first theme is in the dark key of F minor and emerges from the lower register of the keyboard;
  • The third phase again contains the 5 themes and leads into coda.

In the interpretations of many commentators we find the conviction that Chopin's work might be an echo of improvisations on national themes as is indicated by some of the Fantasy's melodic strands. So the F minor Fantasy would contain a distinctive patriotic message, leading from the elegiac tone at the beginning of the work to the triumphant accents in its closing climax.

Fantasy for piano in F minor/A flat major, Op. 49, C. 42

In the construction of this fascinating composition, we find elements of various forms e. We find here moments that are very precisely formed particular themes and others of a looser character, akin to improvisation especially the figural passages.

  1. Discounting the rather trivial fantasies of the potpourri type written to operatic or other themes, such as were fashionable in Chopin's day, we immediately perceive his F minor Fantasy as a work referring to the most splendid and most ambitious traditions of the piano fantasies of Mozart and the Wanderer-Fantasie of Schubert.
  2. The main body of the work is made up of three phases.
  3. After the marches, Chopin first unfurls music resembling notated improvisation bars 43—46 , which is followed immediately by the explosion — agitato — of music from the first phase of narration. It is a work that has fascinated successive generations of listeners, commentators and musicologists.

In general terms, the flow of the work may be presented as follows: Of course, there are other possible interpretations of this work, which represents a real challenge for performers.