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An overview of the music in the early part of the modern era

Sources[ edit ] Albright, Daniel. An Anthology of Sources. University of Chicago Press. Grove Music Online edited by Laura Macy.

Beating Time and Measuring Music in the Early Modern Era

Boulez, Music and Philosophy. University of California Press. Cultural Theory and Popular Culture: University of Georgia Press. The Future of Modern Music: Musical Modernism at the Turn of the Twenty-first Century. Music in the Twentieth Century 26.

  • This era has seen the gradual decline of the worldwide British Commonwealth which once included India, Hong Kong and other parts of the Far East, much of Africa, Canada, and the British Isles , the establishment of the United States as the major force of the Free World, and the rise and fall of Soviet Communism;
  • Updated edition, New York;
  • The earliest Romantic composers were all born within a few years of each other in the early years of the nineteenth century;
  • Others developed a highly personal harmonic language and melodic style which distinguishes their music from that of the Austro-Germanic traditions;
  • Revolution, Reaction, and William Walton;
  • The Roots of Musical Modernism".

Cambridge and New York: Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture, second edition. The Roots of Musical Modernism". Critical Inquiry 10, no.

Music History 102

Du Noyer, Paul 2003. The Illustrated Encyclopedia of Music 1st ed. Direzione del Movimento Futurista. Acta Musicologica Fennica 11; Religion and Society 51. Suomen Musiikkitieteellinen Seura; The Hague: Further reading[ edit ] Albright, Daniel.

  • The Philosophical Roots of Musical Modernism;
  • Throughout the remainder of the nineteenth-century from ca;
  • Harmony and melody are no longer the sole basis of musical structure.

Modernism in Music, Literature, and Other Arts. In The Pleasure of Modernist Music: Eastman Studies in Music. University of Rochester Press. Jewish Musical Modernism, Old and New.

Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce, and Stein.

Modernism (music)

Updated edition, New York: Cambridge University Press, 2002. Despic, Dejan, and Melita Milin eds. Music in No Key". In The First Moderns: Music and the Arts.

  • General Background ON the MODERN ERA The Modern Era has been a period of massive technological and socio-political change, sparked largely by the increasingly rapid transit of people and information via automobiles, airplanes, spacecraft and telephone, radio, television, satellite transmission, the Internet, etc;
  • The Roots of Musical Modernism".

California Studies in 20th-century Music. Berkeley, Los Angeles, and London: The Avant Garde since 1945. The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton.

Manuel de Falla and Modernism in Spain, 1898-1936. Chicago Studies in the History of Judaism.

  1. A Bibliography of sources used in the creation of Music History 102. The Philosophical Roots of Musical Modernism.
  2. The ever-changing delicate balance of economic and political power is now--more than ever--of urgent global significance. Of the early Romantic composers, two Nationalists deserve special mention, the Russian Glinka of Russlan and Ludmilla fame and the Bohemian Smetana composer of the popular symphonic poem Vltava or 'The Moldau'.
  3. The Quilting Points of Musical Modernism.

Cambridge Studies in Music Theory and Analysis 15. British Music and Modernism, 1895—1960. Modernism and Popular Music. Music of the Twentieth-Century Avant-garde: The Avant-garde Since 1945, second edition. Oxford and New York: Musical Modernism and the Influence of the Tonal Tradition.

The New Republic 197, no. Berkeley and Los Angeles: University of California Press, 2009.

Welcome to Naxos Records

Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists. Belknap Press of Harvard University Press.

Perspectives of New Music 37, no. The Philosophical Roots of Musical Modernism.