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The objectification of women in the bloody chamber and stardust

His use as a character is to shock both the reader, and the society wherein the novel is set.

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It regards them as objects to be used until the man is finished using them, then, when he is done with using that particular woman, he is either expected to move on and use another woman, or settle down with one if he is tired of using them.

Taking into account that Lord Henry is a man of power and is considered a nobleman, these statements are made even more dangerous since Lord Henry has the power to both carry out his sexist acts, and further oppress the women of London through the control he has as a member of the establishment.

Here, Carter utilises a semantic field of suffocation and possession.

The throat, being the home of the vocal chords, is a key element to speech. This creates and establishes the image of a powerful, strong woman. Carter furthers this already established image toward the end of the short story. As well as maternity, and the power of maternal instinct, Carter demonstrates the power that girlhood has over traditionally terrifying creatures such as wolves, that are often utilised as an employer for fear in fairy tales, such as in Little Red Riding Hood.

The menace of the werewolf could, by its power and its towering posture may therefore personify the patriarchy. Carter employs sexuality in her female protagonists, paralleling it between the oppressive binaries of female sexuality.

On the one hand, the paternalistic social stigma around female permissiveness, and the other, the idea that unmarried women, or women who are sexually open are dangerous. This, while also playing to ever present theme of the supernatural, offers a contextual perspective into the perceived role of women during the early 20th Century, in particular the beginning of World War One.

The syntax of this description, however, is something to note.

  1. As well as maternity, and the power of maternal instinct, Carter demonstrates the power that girlhood has over traditionally terrifying creatures such as wolves, that are often utilised as an employer for fear in fairy tales, such as in Little Red Riding Hood.
  2. This is seen when considering the historical use of the red and white roses, two symbols used frequently by Carter throughout the compendium, in the War of the Roses between the Houses of York and the Houses of Lancaster, which resulted in a thirty-two-year war with the Lancastrians; represented by the red rose, defeating the Yorkists; representing the white rose. If one goes too far into the moralist principle, they can become dry, and puritan.
  3. This highlighting of the standardised patriarchal oppression could also be seen as a call for female solidarity due to its similarities between the Marxist theory of class conflict, theorising that once the proletariat would realise their position on the class ladder, they would lead an uprising against their bourgeois exploiters.

She is described as being in the need of men, instead of the more accurate men needing or wanting her. This seems to speak from the perspective of the society, and its portrayal of women as being in the need of men, taking away their bodily autonomy or the ability to use their sexuality or their permissiveness as a tool, that if a woman is able to mentally and emotionally overpower a man, luring him into her sanctuary, then it must be because she needs him, and not that he wants her.

Through highlighting and bringing attention to this patriarchal standard that is hidden and interwoven into the society, Carter is criticising it by making women aware of their social position in comparison to their male counterparts.

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This highlighting of the standardised patriarchal oppression could also be seen as a call for female solidarity due to its similarities between the Marxist theory of class conflict, theorising that once the proletariat would realise their position on the class ladder, they would lead an uprising against their bourgeois exploiters.

In a similar vein, Carter is hoping for women to realise their position on the social ladder and lead an uprising against the patriarchy, as was very popular during 1979 with the uprising of second wave feminism and its emphasis on fixing the societal oppression against women. As well as this, the colour white is used parallel with the passive imagery of the rose to set the stereotypical idea of women as peaceful, non-aggressive people.

This is seen when considering the historical use of the red and white roses, two symbols used frequently by Carter throughout the compendium, in the War of the Roses between the Houses of York and the Houses of Lancaster, which resulted in a thirty-two-year war with the Lancastrians; represented by the red rose, defeating the Yorkists; representing the white rose.

During a dinner party, she engages in conversation about women and love with Lord Henry and Dorian Gray. It is apparent that she matches the men on an intellectual level.

The Role of Women in The Picture of Dorian Gray and The Bloody Chamber and Other Stories

This is not the ending of the relationship between Lady Narborough and Lord Henry. Wilde further introspects on the idea of femininity through the lens of 19th Century London using Lord Henry and the Duchess of Monmouth. As opposed to Lady Narborough, the Duchess possesses the intelligence and beauty; she challenges both Lord Henry and Dorian Gray in conversation, arguably outwitting them at some points.

He may degrade the other women to sex objects, but he still considers them women, but as a result of him finding a woman that matched his required traits for the ideal woman, as a result of her talents, beauty, and intelligence, he does not or possibly cannot, consider her a woman. He would rather discard his chance of true love with the woman of his dreams than accept the view that women are, at the very least mentally, on the same grounds as men.

He uses the fact that the women of the novel are upper class and educated just as the men are in an attempt to show that women, even if they come from the same socio-economic background and quality of education as men, can still not beat, or even be equal to them intellectually.

Carter adopts the same perspective of women, however explains it from the total opposite view of Wilde. However, both writers show through themselves, the dangers of pure moralism and pure aestheticism.

  1. It is apparent that she matches the men on an intellectual level.
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  3. My review of 'the tigers bride' and 'puss in the objectification of women and the transgression the young heroine in 'the bloody chamber. Start studying a level english literature - the bloody chamber quotes learn vocabulary, terms, and more with flashcards, games objectification of women.
  4. Is relevant to your three chosen texts by kristina addis within my last duchess, the bloody chamber and dracula, there is evidence to suggest that women.
  5. Through highlighting and bringing attention to this patriarchal standard that is hidden and interwoven into the society, Carter is criticising it by making women aware of their social position in comparison to their male counterparts. Get example of The objectification of women in the bloody chamber and stardust Get example.

The philosopher, Nietzsche founded the idea of there being two binaries of human personality that people exhibit on a spectrum, moralism and aestheticism.

The moralist principle concerns itself with reason, logic, and judgments about what is right and wrong. Whereas the aesthetic principle uses style, humour, and creativity. Nietzsche writes that without a balance between the two principles one is not able to lead a full human life, and is generally unable to either persuade people, or make cogent criticisms.

If one goes too far into the moralist principle, they can become dry, and puritan.

The objectification of women in the bloody chamber and stardust

In addition, if too dominated by the aesthetic principle, as Wilde is, one becomes shallow, narcissistic, and egoist. It has been noted by other Nietzschean philosophers that an aesthete without morals is in fact a bad aesthete. Dorian Gray is a vacuous, egoist, shell of a man because he has no moral sense. It criticises the idea eternity, but nothing at the forefront of the inequality faced by the vast majority of people during Victorian London.