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Symbolism in the movie jesus of montreal

The act is actually staged as the dramatic finale of a stage play, but we only realize this as the man appears to dangle from the end of the rope and the audience previously unseen and unheard erupts into applause. The priest, Father Leclerc, expects Daniel to make the play more relevant to modern audiences, and perhaps draw in people who might not otherwise attend.

Both men achieve what they set out for, but of course the results surprise them both. However, the actors are recruited from unexpected places. For instance, one is busy dubbing a porn film when Daniel approaches him, though he heeds the casting call and leaves to follow Daniel in the middle of the recording session. The most-developed of these followers is a beautiful young actress named Mireille, who Daniel finds filming an ad for an expensive perfume.

  • What began as an arrangement of convenience for a nobler end has now subjected him to captivity to the institution;
  • And yet, his film argues that faith and compassion are not dead in Montreal;
  • Critical Reception The movie received generally positive reviews upon its commercial release;
  • He violently upturns a commercial casting call after one of his actresses is treated poorly and asked to strip for her audition;
  • But contempt really upsets me.

There is an early scene where Daniel is researching his character in the library. He will find you. He finds himself in trouble with authorities after his outrage over the demeaning treatment of Mireille at an audition for a beer commercial leads him to destroy thousands of dollars worth of equipment and chase the offending parties out of the auditorium.

Daniel himself seems a bit surprised by his response to these situations. In Jesus of Montreal, the story of Jesus is invested with that power to change lives in startling and unlikely ways.

Jésus de Montréal (Jesus of Montreal)

When Daniel breaks up the beer commercial audition, for example, we are reminded of the divide between what is culturally acceptable and what is morally acceptable, and of how shocking it must have been when Jesus drove the merchants from the temple.

Incidentally, Jesus of Montreal, like the Jesus of the Gospels, has some things to say about organized religion in this case the Catholic rather than the Jewish faith, naturally. In this case, the presence of the church is actually more of an absence. In the few scenes which show the interior of the sanctuary it is always empty.

Postcards and Postscripts from the Periphery of Faith

Despite the ornate beauty of the architecture and decorations, this church is spiritually dead. The revival is going on outside its walls.

He is furious with Daniel after he sees the play for the first time, but his reasons are somewhat surprising. Leclerc has long-since ceased to be a believer, but he continues to go through the motions as the head of his church because he is afraid of losing his job and having nothing left to fall back on.

The actors encourage him to join them, promising to accept him and do what they can for him, but he is too afraid. The conflict between Daniel and Leclerc reaches its peak when Leclerc orders the other actors to return to performing his original script and they refuse.

  1. When Daniel breaks up the beer commercial audition, for example, we are reminded of the divide between what is culturally acceptable and what is morally acceptable, and of how shocking it must have been when Jesus drove the merchants from the temple.
  2. The two argue about the play, and Leclerc accuses Daniel of interfering with his ministry to the congregation. When he is fatally injured in the final performance, Daniel is taken to a local hospital and laid crucifixion-style on an operating table, where his organs are taken to literally give sight to the blind and health to the sick.
  3. It is widely regarded as one of the best Canadian films of all time, and in 2016 it was named one of 150 essential works in Canadian cinema history in a poll conducted by the Toronto International Film Festival TIFF.
  4. Arcand believes there is no salvation in organized religion or corporatism, only the hypocrisy of power structures. However, the actors are recruited from unexpected places.
  5. Despite the ornate beauty of the architecture and decorations, this church is spiritually dead.

Furious, he storms inside the church and Daniel follows him to have it out. The two argue about the play, and Leclerc accuses Daniel of interfering with his ministry to the congregation. He claims to offer a sanctuary and a listening ear to people who cannot afford to visit a psychiatrist.

However, it is clear that the comfort he offers is as empty as his faith, and as the church itself. In the midst of the crucifixion scene, an altercation between a group of guards and some members of the audience leads to an accident which fatally injures Daniel.

  • In this case, the presence of the church is actually more of an absence;
  • The most-developed of these followers is a beautiful young actress named Mireille, who Daniel finds filming an ad for an expensive perfume.

However, he lives on in two important ways. First, his friends donate his organs to the hospital, and they are transplanted into several waiting patients restoring sight for one woman, extending the life of a man in need of a new heart, etc. Second, an organization is set up in his name, with the actors who worked with him agreeing to take charge of it and ensure that it adheres to his principles.