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A look at the veroli casket of the byzantine empire

  1. This most familiar of Byzantine caskets is the finest of a group of Byzantine ivory and bone boxes in the late tenth and early eleventh centuries and known as 'Rosette caskets' because of the border decoration.
  2. Wood overlaid with carved ivory and bone plaques with traces of polychrome and gilding Dimensions Height. Princeton University Press, 1994, p.
  3. Originally, it must have belonged to a person of high standing, possibly at the court of the Byzantine emperor Constantine VIII 976-1028. Craftsmanship, Ivory and Society in Byzantium 9th-11th centuries , Princeton, 1994, p.
  4. The literary sources that have been proposed for the programme of the casket come from the the fifth-century poet Nonnos of Panopolis.
  5. On the front are scenes from the stories of Bellerophon and Iphigenia.

Wood overlaid with carved ivory and bone plaques with traces of polychrome and gilding Dimensions Height: This most familiar of Byzantine caskets is the finest of a group of Byzantine ivory and bone boxes in the late tenth and early eleventh centuries and known as 'Rosette caskets' because of the border decoration.

No other Byzantintine work offers such a wealth of difficult, time-consuming undercutting except a number of technically and stylistically related ivory icons. Formal parallels can be found in monuments of the Late Antique rather than of classical dates. The literary sources that have been proposed for the programme of the casket come from the the fifth-century poet Nonnos of Panopolis.

Historical context note The excellence of the carving suggests that it must have originally have belonged to a person of high standing possibly at the court of the Emperor Constantine VIII 976-1028. European Sculpture at the Victoria and Albert Museum. Victoria and Albert Museum, 1996, p.

  • Craftmanship, Ivory, and Society in Byzantium 9th-11th centuries;
  • The Art of Constantinople;
  • On the left of the lid, the Rape of Europa;
  • The subjects may be identified as follows;
  • The Veroli casket belongs to a group of Byzantine ivory and bone boxes made in the late 10th and early 11th centuries;
  • Wood overlaid with carved ivory and bone plaques with traces of polychrome and gilding Dimensions Height:

The color of ivory. Polychromy on Byzantine ivories.

Princeton University Press, 1998, pp. Printed by George E. Eyre and William Spottiswoode for H.

Veroli Casket

The Art of Constantinople: Victoria and Albert Museum, 1986, pp. Das byzantinische Erbe der ottonischen Kaiser: The Journal of the Walters Art Gallery.

  1. Victoria and Albert Museum, 1996, p.
  2. Polychromy on Byzantine ivories. Desire and Denial in Byzantium.
  3. Princeton University Press, 1994, p. On the right, centaurs and others playing and dancing.
  4. The Making of Sculpture.

The Hand of the Master: Craftmanship, Ivory, and Society in Byzantium 9th-11th centuries. Princeton University Press, 1994, p. Un triptyque byzantin en ivoire: Renaissance Artists and Antique Sculpture: Sevcenko, Ihor and Hutter, Irmgard. Studies in Honour of Cyril Mango. Erotic Imagery on Byzantine Ivory Caskets. Desire and Denial in Byzantium: Nineteenth-century Versions of the Veroli Casket. Through a Glass Brightly: Studies in Byzantine and Medieval Art and Archaeology.

Oxbow Books, 2003, pp.

  • Early Christian to Romanesque;
  • On the front of the casket, the stories of Bellerophon and Iphegenia, on the back a scene with children and animals and other representations of Europa, with Mars and Venus;
  • Centaurs half-men, half-horses and maenads wild women play and dance to the music of Hercules the Greek Herakles;
  • Craftmanship, Ivory, and Society in Byzantium 9th-11th centuries;
  • Wood overlaid with carved ivory and bone plaques with traces of polychrome and gilding Dimensions Height;
  • This most familiar of Byzantine caskets is the finest of a group of Byzantine ivory and bone boxes in the late tenth and early eleventh centuries and known as 'Rosette caskets' because of the border decoration.

The Making of Sculpture. The Materials and Techniques of European Sculpture. Royal Acacdemy of Arts, London 2008, cat. Early Christian to Romanesque. Craftsmanship, Ivory and Society in Byzantium 9th-11th centuriesPrinceton, 1994, p.