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The two brothers lives in sonnys blues by james baldwin

In the beginning section of the story, the brothers are talking about Sonny wanting to become a pianist. The narrator believes the jazz scene is a bad influence because of the sketchy characters, prevalence of drugs, and laid back attitude. My portion of the text begins when Sonny and his brother get into a fight over how Sonny had been living his life. The brothers constantly get into arguments because he is doing everything he can to provide Sonny with a better lifestyle.

When it comes to the topic of jazz music and its culture, the narrator is very bitter; he associates it with hipster, drug using, degenerate, musicians. Sonny has the opposite view from his brother, he loves everything about jazz music.

Jazz is as much of a part of Sonny as are his arms and legs, and probably knows more about the music than himself.

Project 2: Sonny’s Blues

Sonny wanted to play like Charlie Parker who was very influential in the bebop style of jazz. Many musicians at the time used drugs in order to fully express themselves, including famous musicians such as Charlie Parker and Ray Charles.

Baldwin makes it seem like a life or death situation for Sonny; in the same conversation of trying to explain using drugs to his brother, Sonny explains his internal struggle, and the importance of playing music.

While the narrator finds anger and bitterness when thinking about jazz, Sonny finds comfort in the music.

Sonny's Blues

Being the older brother, husband, father, and a veteran, the narrator has an inherent protective, fatherly characteristic which he shows in regards to Sonny. He felt as though his brother was making all of his decisions for him, and since he still viewed the narrator as his brother.

  • On the other hand, Dionysian notions Rotbert 8 reflect the ideas of universal will, collective experience, impulse, intoxication, and chaos;
  • This dialogue highlights the innate differences between each brother; they can never see things in the same way;
  • It seems that the narrator could better understand his brother now.

A prime example of a decision the narrator made for his younger brother was when Sonny was just released from jail and he had to live with Isabel and her parents. In this case the narrator has grounds to make these types of decisions for Sonny, since he is fresh out of jail and attempting to provide the best case scenario for Sonny.

In that moment, the narrator assumes an unspoken parental role over Sonny.

  • The narrator is attempting to avoid his present and future ethical commitments to Sonny by escaping into recollection
  • The narrator is attempting to avoid his present and future ethical commitments to Sonny by escaping into recollection

Sonny is not only accepted by these people, but he is viewed as a distinguished musician. He was in search of other likeminded artists that carried the same amount of passion for their craft as he did.

Project 2: Sonny’s Blues

The Creole acted as a father figure to the band because he took the lead over the musicians, but eventually handed the reigns over to Sonny after he gets a feel for playing again. It makes you feel sort of warm and cool at the same time. In this critical scene Sonny is attempting to open up to his brother about his past, but talking about his dark past is tough for both of them.

The narrator wants to speak up, but instead he keeps quiet to listen to what his brother has to say. This is crucial for the narrator to have Sonny open up to him and connect on a more personal level.

  1. Rotbert 6 This allegorical connection aids Baldwin in his desire to educate; he shows his audience how to pursue a proper moral path in life. In that moment, the narrator assumes an unspoken parental role over Sonny.
  2. Sonny comes into the house, and asks the narrator if he wants to come and watch him play in Greenwich Village, and the narrator, unsure, somewhat begrudgingly agrees to go. It is only afterwards that he finds a new set of values, and reaches out to attempt some reconciliation with his brother.
  3. Sascha Feinstein and David Rife. He repents for his lavish and foolish living, and recognizes his sinful behavior.
  4. When he gets home, he constantly plays the piano.

James Baldwin uses the scene when the narrator finally gets to see Sonny play to create a connection between the brothers. When the narrator goes to see Sonny play he finally gets to see him in his own world where he seemed like a celebrity.

  1. The narrator is contemplating searching Sonny's room and begins to describe a revival meeting that both he and Sonny are watching.
  2. In the beginning section of the story, the brothers are talking about Sonny wanting to become a pianist. They both get back from the war and live in New York for a while.
  3. The flashback contains an experience that was deeply comforting for the narrator.

While the narrator was watching Sonny and the band play he noticed the band members were communicating through the music, and that the Creole wanted Sonny to take a not hold back and let loose.

The narrator finally felt emotionally connected to the music after experiencing a performance in person.

  • Baldwin uses many biblical parables and religious theories, along with philosophical concepts to inform and educate his audience;
  • Ironically, it is only after the death of the little girl, Grace, that redemption and a return to grace becomes a possibility.

The narrator views Sonny as immature almost entirely through the story because of his defiant nature and irresponsible life choices.