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Death salesman miller and doll s house ibsen

Hire Writer Willy disregards every word Linda attempts to interject in family conversations by interrupting her and accusing her of interrupting him.

  • The Cambridge Companion to Arthur Miller;
  • This led him to a separation from Norwegian society;
  • By having the A Doll's House by Henrik Ibsen 1443 words - 6 pages children leave the house of their caretakers once they have grown up.

A distinct example is the passage towards the end of Act I, in which Linda attempts in vain to speak her mind: Linda seems to be for Willy the perfect wife: A distinct example is the fact that right after the incident of insulting her, she proposes to sing to him a lullaby, so that he could relax: Should I sing to you? At the same time, Linda stands up for him, takes his side, even if it means to get into a fight with her sons, for not treating him with the respect he deserves as their father: Every day I go down and take away that little rubber pipe.

Deception Of Family In Death Of A Salesman And A Doll’s House

But, when he comes home, I put it back where it was. How can I insult him that way? Linda is also a very dedicated mother to her children, that she managed to raise in the best way possible, when she was all alone with them, while her husband was away for a long period of time.

  • Ibsen does not identify a direct problem and he chooses to develop his characters and the problem as the play unfolds;
  • Ibsen died in 1906 Westhagen.

She has always been with them; she has educated them since the day they were born and she has tried to install in them good values. Even now, that her sons are adults, she still reprimands them about being selfish, impolite, rude and disrespectful towards their father.

Death of a Salesman and A Doll’s House

Under no circumstance is a woman expected to work and contribute to the family income for the man, for once more, the man is the one that works and brings in the money.

Thus, poor Nora is financially dependent, in a great extent, on Trovald, and every time she wants to buy something she has to ask him to give her some money: Only what you think you could spare. And then I could buy myself something with it later on.

  • Upper Saddle River, NJ;
  • Instead I went to visit Aunt Linda's house and I just got back from there;
  • When Ibsen presents Nora Helmer, we see a "perfect" wife, who lives in a "perfect" house with a "perfect" husband and children;
  • Willy truly believes in the American Dream of easy wealth and success;
  • This led him to a separation from Norwegian society.

The way that the men in her life have treated her is expressed in one word through the metaphor that Ibsen uses: The only thing that Nora does with her children is to play games. She has completely trusted their upbringing to the nursemaid without worrying about them or trying to teach them values and how to behave, like Linda did.

In the end, she realizes that she would have never become a good mother to her children, and in fear of hurting them or turning them into dolls she decides to leave them forever: In the end, Nora realizes that she had been living a lie, and she is faced with the dilemma of engaging the responsibilities to her husband and children or the responsibilities to herself.

“Death of a Salesman” by Miller and “A Doll’s House” by Ibsen Essay

But the need to break free from the simple, decorative roles that she has been assigned, and to find herself, is greater than anything else.

Both plays discuss the position of the women in the family and in the society. Two different women, from two different times were victims of their era.

  1. Although in many aspects, the two protagonists of the plays, Linda and Nora respectively, appear to have things in common, at Other Popular Essays.
  2. Willy has convinced himself into thinking that he is a popular, well-respected salesman, when really he can't sell enough to live on.
  3. He permanently moved to Rome and so it was there that he wrote "A Doll House. This conflict sets off the rest of A Doll's House.
  4. Chelsea House Publishers, 1988. Sophocles begins Antigone with a challenge directed at the power of the king.

The one is old, unattractive but caring and supportive; she is Linda, the woman of the 1940s. The other is young, and beautiful but also more modern and demanding; she is Nora, the woman of the 1870s. How to cite this page Choose cite format: