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A review of the controversial novel of jd salinger the catcher in the rye

The Praises and Criticisms of J. Reproduced here with the permission of the author. Ever since its publication in 1951, J. Salinger's The Catcher in the Rye has served as a firestorm for controversy and debate. Critics have argued the moral issues raised by the book and the context in which it is presented. Some have argued that Salinger's tale of the human condition is fascinating and enlightening, yet incredibly depressing. The psychological battles of the novel's main character, Holden Caulfield, serve as the basis for critical argument.

Caulfield's self-destruction over a period of days forces one to contemplate society's attitude toward the human condition.

  • Both short stories were revised for later inclusion in Salinger's novel;
  • One of the most popular means by which The Catcher in the Rye is critiqued is through the comparison of Holden Caulfield to other literary characters;
  • Those moments when we look around the world and think everything is ridiculous, phony and worth hating;
  • Each reviewer commented on different parts of the novel, from Holden's cynicism to the apparently homosexual Mr;
  • Yet the novel is not without its sharp advocates, who argue that it is a critical look at the problems facing American youth during the 1950's.

Salinger's portrayal of Holden, which includes incidents of depression, nervous breakdown, impulsive spending, sexual exploration, vulgarity, and other erratic behavior, have all attributed to the controversial nature of the novel.

Yet the novel is not without its sharp advocates, who argue that it is a critical look at the problems facing American youth during the 1950's.

When developing a comprehensive opinion of the novel, it is important to consider the praises and criticisms of The Catcher in the Rye.

Book Review: J.D. Salinger's 'The Catcher in the Rye'

When studying a piece of literature, it is meaningful to note the historical background of the piece and the time at which it was written. Salinger short stories, "I'm Crazy" and "Slight Rebellion off Madison," were published in periodicals during the 1940's, and introduced Holden Caulfield, the main character of The Catcher in the Rye. Both short stories were revised for later inclusion in Salinger's novel.

The Catcher in the Rye was written in a literary style similar to prose, which was enhanced by the teenage slang of the 1950's. It is a widespread belief that much of Holden Caulfield's candid outlook on life reflects issues relevant to the youth of today, and thus the novel continues to be used as an educational resource in high schools throughout the nation Davis 317-18.

The first step in reviewing criticism of The Catcher in the Rye is to study the author himself. Before his novel, J. Salinger was of basic non-literary status, having written for years without notice from critics or the general public.

The Catcher in the Rye was his first step onto the literary playing field. This initial status left Salinger, as a serious writer, almost unique as a sort of free agent, not bound to one or more schools of critics, like many of his contemporaries were.

  • And he should have cut out a lot about these jerks and all at that crumby school;
  • There is a drollery, too, that is common to both, and a quality of seeing that creates farce" 82;
  • While the young protagonists of Salinger's stories such as Holden Caulfield have made him a longtime favorite of high school and university audiences, establishing Salinger as "the spokesman for the goals and values for a generation of youth during the 's" qtd;
  • I'd just be the catcher in the rye and all;
  • Some have argued that Salinger's tale of the human condition is fascinating and enlightening, yet incredibly depressing.

This ability to write freely, his status as a nobody in the literary world, was Salinger's greatest asset. Rather than to scope inside Salinger's mind and create a grea tness for him, we are content instead to note him for what he is: Much of Salinger's reputation, which he acquired after publication of The Catcher in the Rye, is derived from thoughtful and sympathetic insights into both adolescence and adulthood, his use of symbolism, and his idiomatic style, which helped to re-introduce the common idiom to American literature.

While the young protagonists of Salinger's stories such as Holden Caulfield have made him a longtime favorite of high school and university audiences, establishing Salinger as "the spokesman for the goals and values for a generation of youth during the 1950's" qtd. Obviously, the bulk of praise and criticism regarding any novel or piece of literature will come from published critical reviews.

When a novel or any piece of literature is published in the United States, critics from newspapers, magazines, and various other sources flock to interpret the book and critique its style.

The same was true for Salinger's novel. Noted book reviewers from across America critiqued The Catcher in the Rye, bestowing both praise and criticism at different levels. Each reviewer commented on different parts of the novel, from Holden's cynicism to the apparently homosexual Mr. The novel, like any other, was devoured and picked apart piece by piece.

It is the role of the researcher, therefore, to analyze the various reviews and develop a clear understanding of the novel. One of the most widespread criticisms of The Catcher in the Rye deals with the adolescence and repetitive nature of the main character, Holden Caulfield.

Anne Goodman commented that in the course of such a lengthy novel, the reader would weary of a character such as Holden. Goodman wrote "Holden was not quite so sensitive and perceptive as he, and his creator, thought he was" 20. She wrote of Salinger's novel: Goodman did have a point in the fact that Holden was something of an over-developed character.

He described himself early in the novel, and with the sureness of a "wire recording," Goodman 20 he remained strictly in character throughout.

Salinger failed in his novel to address other characters with as much detail as Holden.

This is due in part to the fact that Holden tells his own story, and also to the idea that a story told by Holden Caulfield would never describe others, as he speaks only of himself. Stern tried to imitate Holden by using short, incomplete sentences with undeveloped ideas: What did I tell ya, she said the next day. This Salinger, he's a short story guy. And he knows how to write about kids. This book, though, it's too long.

Gets kinds of monotonous. And he should have cut out a lot about these jerks and all at that crumby school. Salinger, he's best with real children.

I mean the ones like Phoebe, his kid sister.

COLLECTIONS

Holden and little Phoebe, Hel said, they kill me. This last part about her and this Mr. Antolini, the only guy Holden ever thought he could trust, who ever took any interest in him, and who turned out queer -- that's terrific. I swear it is" 5. Stern's goal in this review was to critique the novel for its length and its melancholy nature. He saw The Catcher in the Rye as being too depressive to be of any redeeming value to the reader. Stern did praise him, however, when he commented on Salinger's ability to write about children.

Other short stories by Salinger, such as "A Perfect Day for Bananafish" and "Franny and Zooey," are also based around children and adolescents. Some critics have argued that Holden's character is erratic and unreliable, as he possesses many of the middle-class values that he claims to reject. Later commentators, however, have praised the wry humor of the main character, his "technical virtuosity" qtd.

These critics have commented that the structure of the novel personifies Holden's unstable state of mind. The style, too, appears effortless; yet one wonders how much labour went into those artfully rough-hewn sentences" qtd. A larger field of critics at the time of The Catcher in the Rye's publication in 1951 took a positive view of the novel.

For example, Chicago Tribune reviewer Paul Engle commented that the story was "emotional without being sentimental, dramatic without being melodramatic, and honest without simply being obscene" 3.

Engle also wrote of the authenticity of Holden's character, the idea that his voice was typical of a teenager, never childish or written down to that age level.

Book Review: J.D. Salinger

He praised the book in noting that it was not merely another account of adolescence, complete with general thoughts on youth and growing up. In this, it largely succeeds" 3. Engle's viewpoint is one that is echoed by many. The Catcher in the Rye is not simply a coming-of-age novel with usual twists and turns, but rather, the unique story of a unique child. It is rare to find a character, actual or fictitious, who is as dazzling and enticing as Holden Caulfield.

As Engle wrote, "The story is engaging and believable. Generally, critics view the novel as Holden Caulfield's melodramatic struggle to survive in the adult world, a transition that he was supposed to make during his years at preparatory school.

Some critics will point to the fact that Holden has flunked out of three Pennsylvania prep schools, and use it to symbolize the fact that he is not truly ready for adulthood Davis 318. David Stevenson commented that the novel was written "as the boy's comment, half-humorous, half agonizing, concerning his attempt to recapture his identity and his hopes for playing a man-about-town for a lost, partially tragic, certainly frenetic weekend" 216.

Reviewer Charles Kegel commented that the novel could be read as Holden Caulfield's "quest for communicability with his fellow man, and the hero's first person after-the-fact narration indicates.

Though considered by most to be a tragedy, The Catcher in the Rye is found by some critics to be humorous, witty, and clever. The use of Chaplin-like incidents serves to keep the story hovering in ambivalence between comedy and tragedy. Whenever a character is nearing the point of no return in a Salinger piece, it is usually done by route of the comic Stevenson 216.

Other commentators have noted that much of the humor in The Catcher in the Rye comes from Holden's misconceptions about adulthood. An example is shown in Holden's relationship with an old schoolmate, Luce. Although the older man is more experienced than Holden, he is not as mature as Holden believes him to be. After an attempt at communication with Luce fails, Holden flees to Phoebe, the only person he completely trusts Davis 318.

Behrman also noted that the literalness and innocence of Holden's point of view in the face of complicated and depraved facts of life makes for the humor of the novel: The humor in Holden's character comes from his communication with the outside world.

His innocence, in my point of the view, his hunger for stability and permanence, make him both a tragic and touching character, capable of making dark activities on the surface seem hilarious and silly below. One of the most popular means by which The Catcher in the Rye is critiqued is through the comparison of Holden Caulfield to other literary characters. The novel is often compared to traditional period literature, particularly Mark Twain's novel The Adventures of Huckleberry Finn.

Both works feature naive, adolescent runaways as narrators, both commenting on the problems of their times, and both novels have been recurrently banned or restricted Davis 318. John Aldrige remarked that both novels are "study in the spiritual picaresque, the joinery that for the young is all one way, from holy innocence to such knowledge as the world offers, from the reality which illusion demands and thinks it sees to the illusion which reality insists, a review of the controversial novel of jd salinger the catcher in the rye the point of madness, we settle for" 129.

He has a colloquialism as marked as Huck's. Like Huck, Holden is neither comical or misanthrope. He is an observer. Unlike Huck, he makes judgments by the dozen, but these are not to be taken seriously; they are conceits. There is a drollery, too, that is common to both, and a quality of seeing that creates farce" 82.

Book Review: J.D. Salinger's 'The Catcher in the Rye'

It is possible, in theory, to do an entire character study comparing Holden and Huck. Both are adolescents, runaways from society, seeking independence, growth, and stability in their lives.

Another character that Holden Caulfield is compared to, though to a lesser degree than Huck Finn, is Hamlet. Like Hamlet, as Charles Kegel wrote, Holden is a "sad, screwed-up guy" 54bothered by words which only seem true, but are really quite phony. The honesty and sincerity that Holden cannot seem to find in others he tries to maintain within himself.

Holden often makes a point of using the word "really" to assert the fact that something is really so, to prove to the reader that had not become a phony himself.