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A comparison between superman and adolf hitler

Even more surprising, this two-page story appeared in 1940, when comics were generally quite primitive compared to later fare. In fact, the story was printed in black and white with red applied as the only color, making Superman look a little abnormal.

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The tale itself is simple: Superman zooms off to Germany, where he picks up Hitler, like a dog, by the scruff of his neck Superman often held villains this way in those years, signaling his superiority. President Woodrow Wilson; it dissolved after the war, in 1946, to make room for the U.

  • The tale itself is simple;
  • In fact, DC had a policy to avoid having its heroes engage in the war.

Historically, the story is remarkable. But guess how it begins: That issue of Look had apparently made it into the hands of someone at the weekly newspaper of the S. The article also foreshadows some of Dr.

On “How Superman Would Win the War”

Because of where the story appeared, not to mention the title that suggested the speculative nature of the tale, the story was neatly out-of-continuity for Superman comics. In fact, DC had a policy to avoid having its heroes engage in the war. But DC was generally conservative about involving its characters in actual combat. Timely, which later became Marvel, routinely had its characters on the front lines.

In fact, every U. On the one hand, companies felt obligated, if not for patriotism than for economic reasons, to depict their characters as patriotic Americans fully in support of the U. On the other hand, if those characters did so through super-powered action, either the stories would change radically in tone or the war would end in the comics but not in reality. On the flipside of the power equation, Superman was even more problematic.

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Having him fight along the troops would have changed his stories, to be sure, but the problem was that everyone would expect Superman, defined by his great power, to actually win the war. If the story would be labeled in some way as not-in-continuity, it would essentially simply repeat the Look story — and out-of-continuity stories were hardly common at the time.

Essentially, this is the same reason why all the advanced technology seen in super-hero stories cannot filter down to widescale distribution: Not only would this have changed the popular character and his stories, but this might well have offended. Imagine the horror of a wife, left at home while her husband faces death on gruesome battlefields, reading these stories, printed in lowly comic books, in which the war had ended at the hands of a colorful character with unrealistic powers.

Not to mention that, by 2003, the super-hero genre had grown up a bit.

  • But DC was generally conservative about involving its characters in actual combat;
  • On the flipside of the power equation, Superman was even more problematic;
  • But DC was generally conservative about involving its characters in actual combat.

The big-name corporate super-heroes remained less active, comfortable addressing social issues but incapable of changing the world. This meant that, while high-profile super-heroes could attempt to change the world, they had to recant.

This tact was taken by comic book stories as well, as Superman could attempt to stop world hunger, genocide, or fictional foreign dictators, so long as he was brought to his senses. While the major super-heroes and their universes followed this pattern, more minor super-heroes followed the pattern set by Watchmen.

It was heady, revolutionary stuff. Not only can super-heroes in such continuing corporate stories never cause lasting political change, but they cannot effect lasting popular change of any sort.

The briefness of the story only enhances its effect. Look how readily the super-hero changes everything when placed at last in the real world. Notes [1] The reasons why Americans would be pro-German were complex. For one thing, a large percentage of Americans were of German decent.